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Myths endure and extend in Vajiko Chachkhiani’s (1985) interdisciplinary artistic practice. The artist, who lives and works in Tbilisi and Berlin, invokes tension in his films, sculptures and installations, grappling with penance and impunity, often of a familial nature.
Prescience and premonition play a prominent role in Thea Gvetadze’s artistic practice. At the same time, she propels the passions and presumptions of that which has been preserved for posterity. Her portfolio is replete with these complementary qualities — inspired patinas and apparitions of what may be in the offing.
Giorgi Khaniashvili (1982) lives and works in Tbilisi, Georgia. A graduate of both the Nikoladze Art College and the Tbilisi State Academy of Arts, Khaniashvili is an exponent of the contemporary visual culture of "anything goes," blending myriad images and influences.
In Tato Akhalkatsishvili’s practice, the five stages of dramatic structure (exposition, rising action, climax, falling action, and denouement) pair with and find depth in the five senses.
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Salome Dumbadze's solo exhibition Indoor Window- collected works, which encompass paintings, graphics and textiles, tether tender translucence with tranquil transcendence.
Maia Naveriani’s artistic practice is rife with possibilities and the odd plight. Her works, primarily in colored pencil or watercolor on paper, are catalytic—charged with a jolt of life and composed with a coursing light.