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05/12/2023
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In the 1920s, the way the scenography system functioned was determined by new “aesthetic discoveries”. The immediate connection between stage design and the processes taking place in the realm of fine arts contributed to the introduction of avant-garde.
05/12/2023
In the 1960-70s the trends taking place in the realm of visual arts have become part of the theatrical life as well and resulted in attempts of the pioneers of an environmental theatre to launch a war against traditional differentiated performing spaces (stage vs. hall).
05/12/2023
Despite the fact that artworks are created in an artist’s studio, their new configuration is determined by the specific space that puts them on display. Lying on the border of the ability and impossibility of communicating with the environment, any attempt to establish a relationship between the piece and the space will have its own impact on the mutual transformation.
05/12/2023
The Alexander Chavchavadze House Museum in Tsinandali opened its current summer season with the exhibition “Memory Fragments,” where its curator Mariam Kakabadze united the works of Sergei Parajanov and Georgi (Gogi) Alexi-Meskhishvili in order to present two very important artists from a particular angle.
05/12/2023
This year, Mariam Natroshvili and Detu Jincharadze will represent the Georgian National Pavilion with their savory, captivating, neo-surrealist work that was created through their unique visual language - "I Pity the Garden".
05/12/2023
The sun forms the foundation of words, names, and idioms, serving as the world's eye and a transcendental archetype of light. It symbolizes radiance, birth, and intuitive thought. Represented by various authors from different eras in Georgian culture, the sun is a symbol of fertility, hope, life, and love. It is also regarded as a symbol of Georgia itself. Referred to as the "visible face of the Lord," it signifies that a human is "part of the sun;" in other words a "part of the Lord." In this world, the sun is omnipresent.
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