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29/03/2023
Pandemic by Tamuna Melikishvili is one of the finest artistic commentaries on the subject-matter that has defined the modern era. Stylized portraits of strangers and passers-by are inserted on a page of a 1906 architectural album featuring iconic models of Renaissance-style windows. These windows are used as frames for the faces gazing out from within personal space, separated from the outside world, revealing the overarching mood of quarantine through their interests and anticipation, notes of despair and the inevitable psychological tension.
29/03/2023
Alexander (Shura) Bandzeladze- Georgian representative of Abstract Expressionism. In the early 1990s, Alexander Bandzeladze was the eldest of acting figures of Georgian Contemporary Art and one of the first artists, who, in the 1960s and 1970s, deliberately engaged himself in late modernism problems and further influenced on-going art processes in Georgia.
29/03/2023
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Tato Akhalkatsishvili’s painting is full of variability of themes and serendipity, although they are integrated in one great and long-term project, which is Tato Akhalkatsishvili’s landscape.
29/03/2023
The depository for Rusudan Gachechiladze’s sculptures is located right in the yard of her house, in a small-size shed of the so-called “Italian yard”. Dusted shelves provoke associations of art-house movie-frames.
29/03/2023
Vakho Bugadze is an artist who manages to strike a delicate balance between contrasting elements, combining brutal energy and sophisticated sensitivity to create a world free of tension in his works.
29/03/2023
Architecture in developing countries is an excellent source for absurd content. Dehumanization of bureaucratic labyrinths and cynicism towards power in David Kukhalashvili’s expressive paintings seem to be intended for a new, animated version of The Trial by Kafka.
29/03/2023
In the light of the ongoing pandemic, visual arts have been more concerned with the idea of timelessness and exploration of underlying spatial concepts. As a result of inherent global changes, interrelation with art has taken a brand-new form, restricting presence of time and space in virtually everyone’s life.
29/03/2023
Koka Ramishvili is a Georgian artist, who lives in Geneva, works with different mediums and any of his projects is distinguished by reflexivity and exquisite quality. His art biography is very diverse: embraces artistic quests for general problems, as well as personal and intimate spaces.
29/03/2023
You might begin to familiarize yourself with Zura Apkhazi’s artwork at a show somewhere, but you are bound to have questions, which may only be answered by visiting his studio. As you view his pieces, characterized by customary elegance of exposition, at a gallery, their distinctive brutality, large format and accentuated textures will certainly remind you of German Neo-Expressionism—only at first glance.
29/03/2023
Georgi (Gogi) Alexi-Meskhishvili was born in 1941 into the family of renowned architect Lado Aleksi-Meskhishvili. In 1967 he graduated from the Tbilisi State Academy of Arts, and since that time has actively participated in exhibitions. Beginning from 1971, Gogi Alexi-Meskhishvili served as stage designer of the Shota Rustaveli Drama Theatre, Zakaria Paliashvili Tbilisi Opera and Ballet Theatre, and also cooperated with the Kote Marjanishvili State Drama Theatre.
29/03/2023
Gagosha – Georgian street artist Giorgi Gagoshidze was born in 1986. He works in different media: poetry, visual poetry, drawing, media art, etc. He studied computer science at Tbilisi University, and graduated with an MA in Technology Administration from Tallinn University of Technology.
29/03/2023
Oleg Timchenko is one of the strongest figures of the group formed during Perestroika under the name of the “Tenth Floor.” His work is extremely diverse and sensitive, with poetry being one of its main features. He constantly demonstrates an incredible ability to transform, when brusque and aggressive gestures may be followed by very romantic and sentimental moods.
29/03/2023
Since the very beginning of his artistic career, Tato Akhalkatsishvili has perceived the landscape as constituting a central component of his works. Akhalkatsishvili's landscapes developed over the years, with the incorporation of various technical and conceptual experiments, and are characterized by certain enigmatic features.
29/03/2023
"I frequently think about where the inspiration and energy come from that make me continue working and designing different constructions. I am most of all interested in the topic of space: how a sculpture develops itself and relates to the external world, or how graphic works establish relationships with their internal universes,” - says Tengiz (Sepo) Sepiashvili about his work
29/03/2023
Tengiz Marr's long-term project, a series of still lives, is a kind of simultaneous dialogue with both old masters and representatives of contemporary trends, searching for relations between objects and words in order to discover what the still life genre might mean for contemporary painting, and what techniques can be employed to reflect the creatures of nature and their function for daily human life within the confines of modern consciousness.
29/03/2023
Guram Kutateladze’s landscapes display these encounters along with the emotions he experienced. Here the major focus is on infinity and incompleteness. The landscapes come to life thanks to their flexible shapes and textures that alter under the influence of light.
29/03/2023
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Levan Mindiashvili is a Georgian artist currently residing in New York. In his artistic research, existential issues are constantly related to specific locations, the peculiarities of cities, the language of architectural textures, and forms of self-expression among cultures and subcultures. His visual thinking mostly opts for the format of multimedia installations.
29/03/2023
Merab Surviladze loves producing contrasts in scales, perspectives, textures and volumes. This time the contrast is more ironic than in his other earlier works because the image of the well-known brand, whose laconic and colorful logo should radiate only positivity – giving the impression that life is enjoyable and creating a sense of stability – here appears "suspicious" and resembles a field of chaotic movements.
29/03/2023
Koka Tskhvediani: "painting for me is not subject to explanations. It has a strong spontaneous energy, which was characteristic of the Abstract Expressionists; although today abstraction has acquired other meanings. My career as an artist began in the 1990s, during the crisis period of post-Soviet Georgia.
29/03/2023
The window is a standard feature of his compositions, not only of this one. In general, the window theme has a conceptual significance in his painting. The world seen from a window is associated with different moments from his biography, with landscapes, moving people or animals, and various items placed on the windowsill. They seem to function as memory repositories, and hold determinate stories.
29/03/2023
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The Last Supper by Giorgi Kobiashvili is symptomatic of this epoch. In the picture, electronic information in the form of a neon wire, similar to the graphic line of a cardiogram, is directly incorporated into the structure of the composition, and the history of iconography gives way to iconological interpretations. The easily recognizable iconographic model developed by Christian art has been rendered as a mere scheme.
29/03/2023
The Knight in the Panther's Skin — Artist's Book, featuring artworks by fifteen contemporary Georgian artists, was published back in 2015 and presented at the National Gallery in concurrence with an exhibition of the same works, which are now an official part of the Gallery’s permanent collection.
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